  .jpg) Õdaiko - Filipe Lopes 10/12/2010
"Õdaiko presents the research and application model of an environment that incorporates live scores generation and live electronic music. Each musician will have a screen displaying the scores to which they have to respond while the composer will be generating the electronic music and the assistant sending data to the score generation engine. The project is developed in maxMSP and Java and the communication is done using OSC. The main musical issue is to create different complexitys/simplicitiys moments along time by emphasizing rhythm tensions, density relationships as well as establishing a non-traditional communication channel between musicians and composer. This model, based on the author’s perspective of music, can be applied for interactive music models." Filipe Lopes Sond'Ar-te Electric Ensemble Centro Cultural de Cascais - 3.12.10   Endereço do site | Website: www.mic.pt Aqui é possível encontrar muita informação sobre Música Portuguesa, sendo inclusivamente possível fazer o download de um vasto leque de partituras para diversos instrumentos. Here it's possible to access a lot of information concerning Portuguese Music, and it's also possible to download a lot of scores for different instruments. Mind the Gap (2000; transcr. p pno 2009) I. Keep Left II. Next Train Approaching III. Currently Out of Order IV. Keep Right Notas de programa por Luís Tinoco: Mind the Gap is a piece about London with people walking around or travelling from one place to another. In a way, it is also my own journey around this city observing people conditioned by traffic lights or signs such as ‘Mind the gap’, ‘Stand on the right’, ‘Walk on the left’, and so forth. Ideally, we should all be able to keep walking freely and continuously – as opposed to a stop-walk-stop-walk motion – and, if possible, collect a few apples from trees on our way. But, on the other hand, there is also something very exciting about the cities’ motion, its traffic, trains approaching and moving away, huge travelling around and under the city. This work is divided into four short movements, each of which relating to a specific sign or direction. The outer movements – ‘Keep Left’ and ‘Keep Right’ – are written either for the left or the right side of the marimba, respectively. The performer tries to move away from its original register but the music ‘forces’ him to keep either left or right, on its original position. The second movement – ‘Next Train Approaching’ – is a night, silent, long, black and white travelling. The journey avoids Piccadilly Circus in order to keep silent. Finally, the third movement – ‘Currently Out of Order’ – deals with hesitation. Multiple directions available, without wanting nor having to choose any. © Luís Tinoco, III.2000 Mind the Gap original version for five octaves' marimba was premièred by Pedro Carneiro – to whom the work is dedicated – at the Purcell Room / South Bank –, London, on the 14th March 2000. The piano transcription is dedicated to Joana Gama. Dur.: ca 8 min. Estreia da versão para piano: 23/07/2010, Museu do Oriente - Lisboa    terras últimas 31/05/2010
exposição e impressão: as trinta fotografias de terras últimas, agrupadas em cinco segmentos de seis imagens, têm a dimensão de 45 x 30 cm. são digitalizações de negativos (p&b e cor) de 35 mm, impressas em processo digital sobre papel fotográfico. concerto e gravação: música de sandy kilpatrick. interpretação de sandy kilpatrick, samuel coelho, georgina carneiro, zé barroso, isaac rego e yann-georges. alinhamento: the disappearing - beyond the horizon - mother earth - the sea-swallowed sailor - the trinity - jubilee pool - the men of sennen cove - the gost of l'iroise - into the light. mais informação aqui. |
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